With this piece we look to the future and how more insight into both the acoustic and the digitalized soundscape may shape the way contemporary Australian music is composed and performed. In this work, the melodic material is derived solely from two six-note tone rows, which are played alternately over the bass figure. The composed section consists of several synchronised unison fragments that separate longer passages where note combinations from one or other of the rows are explored. As with the pieces that came before, this is a passage of sound. It expresses our hope that every new piece of recorded and performed music will open another doorway to finding new ways - and revisiting old ones - of creating sound.